CHILL SUNDAY @ The Foundation Room, Dec. 12th with Mr. Daishiki Jones & Israel Marcano

If you are looking for something out of the ordinary to do on a lazy Sunday afternoon SxS / JANUS Productions hosts a pretty unique event called "Chill Sunday", which takes place in the Foundation Room at the House Of Blues.

The monthly (soon to go weekly) event started over the summer and has been one of Dallas' best kept secrets for those who want a "chill" comedown from the weekend or for those looking to start their week off on a positive note with a tasty brunch menu and bottomless mimosas & bloody marys. The event features local and national dj talent spinning downtempo & deep jazzy house music. Past guests have included renowned dj's such as DJ Redeye , Woody Rosen, Tyrone Smiley, JT Donaldson and Greg Watton & Joe Castillo.

December's edition(Sunday the 12th) features deejays Israel Marcano of W.A.R.M.T.H. International and Disco's Revenge's very own, Mr. Daishiki Jones . The fun kicks off at 1pm and goes until 5pm so mark the date down in your day planners and tell your friends.

Hot new music: Dennis Ferrer, Kyle Hall

Just want to take the time to highlight some new music of note that has been heating up our decks recently(if you were at the Absinthe Lounge this past Saturday, you can relate) first up is the latest by NY based dj/ producer, Dennis Ferrer:

Dennis had a MAJOR hit last year with the tech-house monster, "Hey Hey" and 'The Red Room" is another track along the same vein that is set to be a stormer for dancefloors around the world...this has EXTREME "crossover" written all over it and will appeal to underground heads and the casual club-goer alike...

One of the remixers is 19 yr old Detroit wunderkind, Kyle Hall... which brings us to the next track in question which is a remix of hightly touted Manchester, England alternative-dance band Delphic (think Stone Roses).

Kyle's interpretation is rooted in Detroit techno-soul and he goes for the old fashioned "addition by subtraction" production technique, as he deconstructs the song and uses sparse elements of the vocal along with some pretty tasty muted drum patterns...21st century classic.